Echo, dub siren, crossover, sampler, mic input and internet radio — the controls of a sound system stack, in one application. Built for the dance, not the studio.
In final beta — public release soon come. Not yet available to download or buy.
Two decks loaded — the full session view.
One deck — clean and ready to load.
A Space Echo–style tape delay with wow & flutter, tape saturation and tone shaping. Run it free in milliseconds or lock it to tempo with triplet and dotted divisions, and filter the repeats low, mid or high.
A spring tank rebuilt from multiple spring lines and allpass diffusers — decay, damping, width and chirp, with input and output filtering for that dark, splashing dub tail.
The Tubby move: a resonant sweep that jumps in hard discrete steps or morphs smoothly, locked to low-pass, high-pass or morph mode.
A full siren voice — oscillator plus LFO with selectable waveforms, pitch, glide, tone and decay. Route the LFO to pitch or amplitude, add wobble, trigger or hold, bend it by hand, and watch it on the live scope. Presets included.
Send knobs for delay, feedback, phaser and reverb, with one-touch DUB IT, PHASE and THROW buttons to spin the feedback and throw words into the echo and spring, live.
Eight pads for your own stabs, horns and idents — fire them on cue, each with its own delay send and level.
A full ISO third-octave graphic EQ from 20 Hz to 20 kHz for dialling the room in, with dub-ready presets.
Switch to parametric for surgical shaping — shelves top and bottom plus six sweepable peaking bands with frequency, gain and Q.
Split into sub, bass, mid and high with tunable crossover frequencies, per-band level, and KILL / SOLO on every band — phase-coherent and always on, like a real rig.
A mono mic with input-channel select and gain, plus its own echo and reverb send — chat, toast and throw your voice into the mix.
A noise gate and a feedback-killing high-pass keep an open mic clean on a loud system.
Bring in a deck, mixer or interface over stereo line input and ride it in with its own gain and metering.
A limiter on the master keeps the rig from clipping when you push it hard.
Master gain with tall stereo VU metering, plus true-peak meters on every deck and crossover band.
Capture the set as a stereo mix, or multitrack to separate stems — music, dry mic and dry line — for clean post and radio edits.
Run a single deck or two side by side with waveforms, cue and trim — mix tunes or version a riddim against itself.
Play, restart, rewind and cue — with a vinyl-stop effect that slows the tune down like a dead turntable.
A searchable playlist with BPM, key and duration, drag-to-reorder, and a pop-out window for the whole crate.
Map any control to a MIDI controller or a keyboard key and play the rig with hardware.
Save and recall your whole setup — effects, EQ, mappings and inputs — as a session.
Drop from the full console to a compact player when you just need transport and the essentials on screen.